“Here we are in the room together
Holding hands and it’s gonna get better
And I know that you’re in the mood
So put your purse down and take off your jacket
Oh girl it’s about to get nasty
You’ll love what we gonna do
Lay your head on my pillow..”—Pillow | Tony Toni Tone
On Why She Stopped Putting Out Music: “There were a number of different reasons. But partly, the support system that I needed was not necessarily in place. There were things about myself, personal-growth things, that I had to go through in order to feel like it was worth it. In fact, as musicians and artists, it’s important we have an environment — and I guess when I say environment, I really mean the [music] industry, that really nurtures these gifts. Oftentimes, the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society, or at least some aspect of society. And it’s important that people be given the time that they need to go through, to grow, so that the consciousness level of the general public is properly affected. Oftentimes, I think people are forced to make decisions prematurely. And then that sound radiates.”
On People’s Attraction to Her: Believe it or not, I think what people are attracted to about me, if anything, is my passion. People got exposed to my passion through music and song first. I think people might realize, you know, ‘We love the way she sounds, we love the music, but I think we just love how fearless she is. How boundless she is, when it comes to what she wants to do.’ And I think that can be infectious.”
On Her Voice: “I’m trying to open up my range and really sing more. With The Fugees initially, and even with Miseducation, it was very hip-hop — always a singing over beats. I don’t think people have really heard me sing out. So if I do record again, perhaps it will have an expanded context. Where people can hear a bit more.”
If I was [insert unpronounceable symbol] I’d give EBT not one but FOUR birds. I’d get some one out the revolution to flick they ass off too for that horrible ass tribute. They did, what, 2.5 ACTUAL PRINCE SONGS?! Ugh.
So I just looked up Wish, Yeh I’m in there for real.
Actually I need to be in Little Five Points on Moreland Ave. If you ever in ATL let me know. It’s always fun to do shit with other people. Plus I’m still looking for a solid krew here. Can’t just fuck with ANYBODY..
“Put that knife in ya, take a little bit of life from ya
Am I frightenin’ ya? Shall I continue?
I put the gun to ya, I’ll let it sing you a song,
I let it hum to ya, the other one sing along.
Now it’s a duet, and you wet, when you check out
the technique from the two tecs and I don’t need two lips,
To blow this like a trumpet you dumb shit”—Threat | Jay Z
How many hoes are taking notes? Writing down names and teams so they can get their groupie on.. Twitter going nuts, mostly chicks. Ya’ll hoes don’t love basketball that much. Hell I don’t. Panties getting wet at the thought of getting tricked on or fuggin for braggin rights. Tisk Tisk…
“Kiss her, love her, then diss her
While you claiming you miss her
I was wetting her whistle
It’s official like a referee, though it’s technically
Presently, not my DOB, If you check on my ID
But we still in VIP, so therefore I disagree
Guarantee she’ll roll with me, like we were some tumbleweeds”—8587 (Birthday) | Sore Losers
What It do
I’m posted up in the parking lot my trunk wavin’
The candy gloss is immaculate and is simply amazing
Them elbows poking wide on that Candy-lac
Trunk open, screen’s on, neon’s lit with fifth relax
I’m on a mission for dime piece’s and sexy ladies
Allow me to introduce you to my CL Mercedes
It’s a star-studded event when I valet park
Open up my mouth and sunlight illuminates the dark
You see them 4’s crawlin’, you see them screens fallin’
The disco ball in my mouth insinuates I’m ballin’
I’m leanin’ on a switch sittin’ crooked in my slab
But I could still catch boppers if I drove a cab